Released on the Cooking Vinyl label in 1990, this was The Happy End's third and last album proper, and the only one to feature vocalist Bernadette Keeffe. Robert Wyatt contributes guest vocals on the title track. It was engineered by Tim Cumming and produced by Tim, Glen Gordon, and myself.

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Track Listing

The Oakey Strike Evictions
The 1889 lyrics, by the "Pitman's Poet" Tommy Armstrong, describe the evictions of striking miners in the north-east of England. Glen Gordon rearranged the traditional tune to a funky New Orleans groove.

Turn Things Upside Down
Lyrics from the late 19th century exhorting the overthrow of the rich by the poor, set to a slow, bluesy swing by Mat Fox, and interpreted by Robert Wyatt.

What Keeps Mankind Alive?
My setting of Brecht and Weill's song about man's inhumanity to man from The Threepenny Opera stays faithful to the original's biting anger, and adds a squealing four saxophone free improvisation in the middle.

Nkosi Sikelelei' Afrika/ANC
Glen starts with a hymn-like setting of the ANC's anthem and then kicks off into a swinging township jazz development.

Starstruck
Mat's lyrics are simultaneously love story and analysis of the Strategic Defence Initiative (Star Wars); the music, which features Latin and Afro-Cuban grooves, was always a dance favourite at gigs.

Sailing The Seas (Depends Upon The Helmsman)
Starting with a Maoist lyric set to a Happy End version of traditional Chinese music, the piece segues into a rock-funk beat and Mat's counter-argument.

The Big Rock Candy Mountain
Made popular as a children's song by Burl Ives but originally written during the Depression by Harry McClintock, an American socialist, Glen's epic arrangement and Bernadette's wonderful vocals highlight the Utopian hopes and humour of the original.

Rhumba Por Nicaragua
A Cuban rhumba arranged by Caroline Hall, and another dance favourite at live performances.

The Red Flag
Once the anthem of the British (Old) Labour Party, my arrangement starts and ends in some melancholy, but in between bursts into an unashamed Basie-eqsue swing - perhaps reflecting the ambiguities most people on the left in Britain feel these days.

 

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